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香港土生土長插畫師。

Hong Kong native illustrator.

1990's

九十年代開設插畫工作室。也是早期年代當插畫師訓練專注力和交稿壓力的重要時期。

九十年代中期開始參與各類型大小不同的插畫展覽，籍此與同行交流，並擴濶自己的視野。

(當時插畫行業非常蓬勃，不論漫畫，影視娛樂，雜誌媒體，品牌廣告等等也經常使用插畫方式傳遞創作概念，那時還是全手繪制作。)

Established an illustration studio for the business in the 1990s. It was also an essential period in training myself as a professional illustrator under the pressure of concentration, completion and delivery for commercial deals. 

In the mid-nineties, I started to join different illustration exhibitions to communicate with professional peers and broaden my horizons.

(At the moment, the illustration was vigorous. Comics, movies & television, entertainment, publications, branding & advertising, and so on often use illustrations to deliver their ideas & concepts. These illustrations were made in traditional ways (hand-made productions.) 

2000's

千鿋年代開始參與插畫教學工作，由 2005-2012年，於澳門理工學院兼任插畫導師。同時亦於不同院校分享工作的苦與樂。

(二千年，全世界也積極推動文化創意產業，插畫是其中重要一環。有幸能同時於教學及插畫專業工作上幫助推廣文化創意產業。）

I started teaching illustration in 2000. I taught illustration as a part-time tutor at Macau Polytechnic Institute, Macau, from 2005-2012. I also shared the joys and sorrows of my professional life in many talks & events in different colleges in those years.

(The "cultural and creative industries" were the main development in the world in the year 2000's. "Illustration" was one of the primary cultural and creative professional subjects. It was my honour involved to promote and teach this discipline.)

2010's

獲第一屆中華區插畫獎金獎（廣告插畫類別）。同時，亦嘗試以策展人及參展人雙重身份舉辦插畫展。

曾參加的聯展有:

Receiving the 1st Greater China Illustration Awards - The Best Illustration (Advertising) Award. At the same time, I also tried to hold illustration exhibitions with dual identities as curator and exhibitor. The Joint exhibitions that have participated in:

​-1996: 《香港插畫師協會－31人展》（香港藝術中心 香港）

-1998: 《香港 | 澳門插畫聯展》（澳門）

-1999: 《香港插畫師協會－新世代插畫聯展》（香港藝術中心 香港）

-2000: 《韓國插畫會邀聯展》（韓國）

-2011: 《「英雄」插畫展》( 策展人及參展人 Part of Gallery 香港）

"Heroes Illustration Exhibition” ( Curator and Exhibitor/ Part of Gallery, Hong Kong)

-2012: 《港澳雙拼展》/ 策展人及參展人 /（澳門牛房 澳門）

"REtroduction Macau & Hong Kong Multi-Art Exhibition" (Curator and Exhibitor/ Former Municipal Cattle Stable, Macau

-2012: 《手繪回歸插畫展》（OOart Gallery 澳門）

"Back to Paint and Brush - A Hand Draw Illustration Show" (OOart Gallery, Macau)

-2013: 《光輝40李小龍主題畫展聯展》（Part of Gallery 香港）

               “Glorious 40 years, The World’s First Bruce Lee Art Show”  (Part of Gallery, Hong Kong）

-2014: 《港澳插畫交流展》（澳門藝術博物館 澳門）

               “Hong Kong & Macao Illustrations “ (The Macao Museum of Art, Macau )

-2015: 《Mad Styles Exhibition》（藝林畫廊 香港）

2020's

疫後，插畫業務重啓， 已是 2023年。 近年本地出色插畫師湧現，使我在插畫創作上不斷自我鞭策及挑戰。

( 近年藝術創作流行於建築物外牆、NFT平台上發表。各種藝術創作於這兩類不同載體上表現，像是各走兩極。樂於見到插畫作品應用於不同載體上，這年頭就是要接受新事物或新舊交融的表現方式。)

After the epidemic, my illustration business restarted, and it is already 2023. Meanwhile, the local illustration field comes with many outstanding illustrators in the market. They affect me constantly to motivate, drive and challenge myself in illustration creation.

(In recent years, the presentation of art creation has fallen into two platforms: The exterior walls of buildings and NFT (Non-Fngible Token.) Every art creation strongly engages these two platforms. They look to go separate into two extreme directions. However, I am happy to see illustrations applied to different new platforms. In these years, we have to get used to, accept and embrace any new and blend old and new matters.)

專業協會  Professional Society:

-1999:  香港插畫師協會創會會員

One of the Founding Members of the Hong Kong Society of Illustrators

-1999 – 2014:  香港插畫師協會專業會員

Full Member of the Hong Kong Society of Illustrators

-2001 - 2007:   香港插畫師協會司庫

Hon. Treasurer of the Hong Kong Society of Illustrators

-2012 - 2014:   香港插畫師協會副主席

Vice-chairman of the Hong Kong Society of Illustrators